He recently completed original music for several Touched by an Angel in its final season on CBS and is currently assisting Emmy-nominatedĪnd BMI award-winning composer Ron Jones (Fox’s Family Guy), where he serves as orchestrator, composer assistant, and technical adviser. Don composed the original score for the popular series UCLA under the instruction of acclaimed composers Robert Drasnin (Mission Impossible) and Training, performances, compositions, and recordings have included projects ranging from progressive rock (with veteran producers Mass Giorginni and Fergus Daly) to studying film scoring at Upon graduating from Purdue University, his Thon, Uncle Syd, and, of course, Brenda Kay.ĭon Barrett has been a musician since the age of 10. My mom and dad, Nanette, my grandfather Dale, Tyler, Carole Roth, Matthew Ruth, Franziska Talented Cathleen Small (who provided invaluable guidance from the beginning).įinally, for their dedicated support and encouragement, I wish to give special thanks to Nina, Thanks to David Das for his technical expertise, to Orren Merton, and to the wonderfully I must also recognize Wayne Downey, who inspired me to integrate all of my handwritten DPĬheat sheets into formal training lessons, all of which laid the groundwork for this project. Roger Hunt, Bryan Arata, the RJ Production team, and Mike Hooser (who gave me my firstįurther, I would like to extend my appreciation to Dianne Hill, for creating this opportunity,Īnd to fellow composer Donald Hill, for being my sounding board during the writing process. Karen Takata at CBS, Steve Cooper at IRC Audio, Smart Post Sound, MOTUNATION, Mass Giorginni and Fergus Daly at Sonic Iguana, Steve Hallmark, Ryan at Warner Brothers,Ĭharlie Largent, Ricardo Wilson, MOTU, everyone at the Fox Newman Stage, Jeff Cardoni,ĭallas Taylor, Laurence Sheldon at E!, Robert Drasnin, Hal Stephens at West L.A. Lee Sanders, Josh Hetrick, Matt LaPoint, Gregg Manfredi, Armin Steiner at Fox, John Rodd, I am exceedingly grateful to Scott Marcussen, Has helped make this book a possibility for me. In addition, many colleagues have provided incredible insight and assistance over the years that Into the land of DP and whose relentless drive to be the master of his craft is the ultimate standard to which I will continue to strive. I would like to thank composer and friend Ron Jones, who originally guided me Incredibly,Įach day with DP brings many new (and fortuitous) revelations.įirst, I would like to recognize fellow author Steve Thomas for his significant and substantialĬontribution. Asīefore, it has been quite the educational and enlightening experience, to say the least. Let’s just say that I was in for a monumental reality check. I initially thought that Digital Performer 6 Power! would be a breeze after working onĭigital Performer 5 Power!. (the brightest light of my life) to all my family andįriends, whose unwavering support has helped me inĬountless ways and to my Grandmother Frances I would like to dedicate this book to every current andįuture user of Digital Performer to my wonderful Nina Locate your local office at:Ĭengage Learning products are represented in Canada by Nelsonįor your lifelong learning solutions, visit Office locations around the globe, including Singapore, the United Kingdom,Īustralia, Mexico, Brazil, and Japan. Library of Congress Control Number: 2008941419Ĭourse Technology, a part of Cengage LearningĬengage Learning is a leading provider of customized learning solutions with Interior Layout Tech: Macmillan Publishingĭigital Performer is a trademark of Mark of the Unicorn, Inc.Īll other trademarks are the property of their respective owners. Requests online at /permissionsįurther permissions questions can be emailed Services Coordinator: Jen Blaney The prior written permission of the publisher.įor product information and technology assistance, contact us atĬengage Learning Customer
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